Ethical Values of the Americans Essay Example | Topics and Well Written Essays - 1000 words

Ethical Values of the Americans - Essay Example My dear teacher and fellowmen, the 9/11 incident though left our nation in plight, it indeed is the courage of the Americans that have seen the culprit of that incident die in tremor. Friends, there are several such incidents demonstrating the courage of the American people today, and their understanding and adhering to it. Americans have set an example to the entire mankind just not with our bravery but also with our impeccable hospitality. We have taught the world the concept of respect and this characteristic, in fact, has been an element of admiration to the entire world. The Americans today are not considered as aliens by people of any other nation for, the respect shown and the hospitality offered by the Americans is absolutely overwhelming and makes them feel home. Today, our hospitality, respect, and compassion have turned the world’s attention towards our nation. Though there are several incidents demonstrating our hospitality, in an unforgettable incident that took p lace, a French soldier had been so impressed with our hospitality, here is what he had to say about it â€Å"Having returned to France, I hasten to thank you very much for the welcome you gave us while sojourning in your beautiful United States. Never, never shall I forget your fraternal love† (LETTER FROM BLUE DEVIL). ... regular curriculum but about â€Å"LIFE† by inducing in us, the importance of many civic virtues we come across in our daily life and how effective they can be when followed. Dear friends, the efforts of our teachers have not gone in vain, for we have adopted these civic virtues seriously, thoroughly and completely. Talking about incidents that demonstrate the understanding and adhering of the MCP scholars to these ethical values would take days together. So my dear teacher and fellowmen, let me just tell you about a couple of incidents to have a better understanding of this. Sixteen-year-old John from MCP was a good student by nature and had a clean track record.              Ã‚  

Value Conflicts Essay Example for Free

Value Conflicts Essay Looking at the article â€Å"Charge it to our children† written by Thomas L. Friedman, the obvious value conflict is monetary. Which is valued more, saving money in taxes, or pay for a war? However that question gives rise to another, more detrimental conflict†¦ should we even be fighting the war in Iraq? Many supporters of the war see no reason we shouldn’t pay for it, moreover the opposition undoubtedly feels they shouldn’t pay for something they don’t agree with. Friedman writes about a $1 per gallon tax on gasoline â€Å"which could reduce our dependence on Middle East oil dictators and reduce payroll taxes for low- income workers, pay down the deficit and fund the development of renewable energy†. Would we be willing to pay that amount to secure the future? Yet another type of value conflict now arises quality of live in the present as opposed to the quality of live for the future? Unfortunately money makes the world go around, where we decide to put it is always a conflict. This correlates with another article written by Freidman entitled â€Å"Generation Q† where he comments on the lackadaisical stance the younger generations have taken in regard to polity. He states that although we are more involved in the world, we are not riled up enough about our own prosperity. Should our generation sacrifice peace and political correctness in order to â€Å"light a fire under the country†? He tends to imply that we have become far too dependant on electronic communication. Should we give up the ease of e-mail in order to actually take time from our busy schedules to attend a rally? Would anyone else even show up? In the end it all boils down to a matter of proximity. Our country seems to have adopted the old out of sight, out of mind adage. I think we need to collectively do something, but are we willing to sacrifice our own self diluted cushy little lives in order to standup for ourselves, or will we go, uninspired and quiet into the darkness our future now holds. Works Cited â€Å"Charge it to Our Children† By Thomas L. Friedman. Published in the International Herald Tribune, October 7, 2007 http://www. iht. com/articles/2007/10/07/opinion/edfried. php â€Å"Generation Q† By Thomas L. Friedman. Written in young-Turks via Google Groups, October 10, 2007 http://groups. google. com/group/yotu/browse_thread/thread/5a20aa7a200eba46

A Comparison of Shelleys Frankenstein and Rifkins Biotech Century Ess

Shelley's Frankenstein and Rifkin's Biotech Century   Ã‚  Ã‚  Ã‚   Human beings are created by God, who intends that they reproduce and flourish amongst themselves.   However, with the accomplishments of science, ideas that were thought to be impossible are becoming possible inside experiment labs; for example, scientists have found a way of creating life without requiring sexual reproduction.   Further more, scientists are now experimenting with cloning other living things.   Jeremy Rifkin explains in "Biotech Century [ . . .]" that science offers "a door to a new era of history where the genetic blueprints of evolution itself become subject to human authorship" (245).   One may argue that scientists are now assuming the role of God by manipulating science and leading humankind to a biotech century.   While this may seem to be a success to most scientists, they must be aware of the harm they can cause human life and be prepared to take responsibility; unlike Victor Frankenstein, in Mary Shelley's Frankenstein, who "uses his knowledge to assemble a grotesque manlike creature [. . .] horrified by what he has done, abandons it the moment he brings it to life" (Ruszkiewicz 231).   Because he sees his creation as a failure and refuses to accept responsibility for his actions, the monster turns destructive, killing people close to Frankenstein.  Ã‚   Although both Rifkin and Shelley's writings stress similar concerns, they differ in certain aspects.  Ã‚  Ã‚        Ã‚  Ã‚  Ã‚  Ã‚   One difference between Rifkin and Shelley, is that Rifkin looks at science as being partly a positive contribution to society, involving huge amounts of money (246).   He also believes that scientists can continue to use science for a more positive way, if and when... ... Dolly."   CNN.com.   9 Dec.   CNN Health.     Ã‚  Ã‚  Ã‚   <http://www.cnn.com/NATURE/9905/26/dolly.clone.02/index.html> . Frankenstein by Mary Shelley.   A play by Nick DiMartino, Direct.   Moses Goldberg.   Narr.   Professor McNamer.   Global Stage Production.   WLIW21 Presentation.   Class Movie. ZRB 1201.   Fall Semester, November 25, 2002. Kahn, Jeffrey P.   "Choosing Our Children's Future or Choosing Our Future Children?"   Ã‚  Ã‚  Ã‚  Ã‚   CNN.com.   25 Nov.   CNN Health.   Ã‚  Ã‚  Ã‚  Ã‚   <http://www.cnn.com/2002/HEALTH/03/04/ethics.matters/index.html> . Rifkin, Jeremy.   "Biotech Century." The Presence of Others. 3rd ed. Ed. Andrea A.    Lunsford and John J. Ruszkiewicz. New York: St. Martin's, 2000.   244-245 Shelley, Mary.   "Frankenstein." The Presence of Others. 3rd ed. Ed. Andrea A.   Ã‚  Ã‚  Ã‚  Ã‚   Lunsford and John J. Ruszkiewicz. New York: St. Martin's, 2000.   231-232   

Film Methodologies †Point Break (1991) Essay

Many different methodologies are vital when examining film. Different aspects and methods of cinema analysis provide critics and audiences with various approaches to establishing certain genres or films. This essay will examine the specific methodologies of the action genre, a consideration of the art cinema and an auteur study. These styles are recognized in Kathryn Bigelow’s Point Break (1991) which provides strong examples of these techniques. An action film is commonly recognized by audiences. The action film portrays strong characteristics and identifiable elements unique to the action genre. Fights, stunts, cars, foot chases, sex appeal and explosions are fundamental sequences of the action genre whereas; character development and well thought-out plot lines are often overlooked. The action genre therefore develops a stereotype that characterizes a film by incorporating such certain elements. Bigelow’s Point Break is stereotypically an action film, as it embodies these, and many more aspects essential to the action genre. Many events in Point Break centre on powerful adrenaline pumping action sequences. Fighting takes place frequently and in many different environments. These situations build tension and provide entertainment. Fist fighting is not the only conflict confronted in Bigelow’s film. Shootouts involving rifles, pistols and shotguns are believed to be essential classics to a good action film. The predominant theme of bank robbery incorporates a mixed bag of violence, weapons and aggressive language. These events evoke powerful emotions from all characters on-screen, creating stronger action elements. Stunts involving explosions intrigue audiences. The imagery of a building or car exploding into the air is typically high intensity action. The situation before, during and after such events provides compelling entertainment. High spectacle stunts and effects are commonplace in the action genre such as Point Break. Both car and foot pursuits are worth noting in the films action archive. High speed car chases deliver an adrenaline and intensity only action audiences are frequent too. This intensity in Bigelow’s film heightens during the foot chase between Reeves and Swayze. Finally, sex appeal and the portrayal of the human body in the film, provides a core of entertainment in Point Break. Through its social theme of surfing and its objectification of both topless men and women, the genre contributes to its already profound stenotype. We must consider these themes in relation to an action genre study to entirely understand and examine and analyze the film Point Break; however, these are not the only themes and features to consider when establishing methodologies specific to the action genre. There are elements of art house technique evident in Bigelow’s Point Break. Although typically an action genre film, it not only controls emotion, mood and style through themes and events on screen but also through its use of audio and visual manipulation. Focusing on visual styles Bigelow echoes a complexity, often introducing elements resembling art house aesthetics. The less conventional filming methods utilized in Point Break reveals an array of long shots, point of view shots, use of intensified continuity and quick cutting. The films themes primarily revolve around the typical action genre story which provides the film with a lot of its power. However, it is worth taking into account what and how these art cinema traits take affect to an audience in Bigelow’s film. Long shots, usually of conversations frequently occur throughout Point Break. These shots sustain a level of depth many other films lack in the action genre. For example, during the fourth scene there is a long pan between Reeves and his partner. This could be used as a rendition of the conventional shot-reverse-shot film technique. The camera moves from left ? right slowly however, because the camera is moving on a semi circle dolly track, we are able to view the conversation from an array of different angles. This stops the need for frequent cutting between shots and shot sizes. Long takes and shot size manipulation are well known examples of art cinema examples in Point Break. Although not common in the action genre, they are uniquely obvious in this film. A framed long shot of Reeves and Swayze stays stationary as they walked towards camera, however the camera continues to frame them from long wide shot ? mid shot. This is very interesting as conventional cinema pieces tend to change shot angles and sizes frequently to make their films visually entertaining. Handheld point of view (POV) shots balance emotion and intensity with reality. Through the use of first person perspectives, Bigelow is truly able to direct audience’s attention and emotions. This method of filmmaking provides a uniquely odd action characteristic. Bank robbery is one of the main themes in Bigelow’s Point Break. The intense topic of armed robbery and violence creates powerful emotions. Intensified continuity and frame cutting allows Bigelow’s film to multiply tension and fear while its being played out onscreen. Shot sizes change repeatedly giving strength to specific visual keys and detail. Bigelow’s attention to vision extends to even the smallest technical details in Point Break. Thus scenes of heightened intensity can not only be controlled by what characters and events are taking place, but that of the camera movement and sound direction. These are the technical elements of art cinema throughout Point Break. Finally, by examining the auteur study of Point Break we must analyze the films director and creative owner. In this auteur study we will examine Kathryn Bigelow, her previous works and inspirations in tie to Point Break. The director was born in California in 1952 and is one of the only female directors to achieve successful Hollywood fame. Her films usually concern the male dominated arena of big budget action cinema. Bigelow has been noted to revise genres similar to violence, voyeurism and sexual politics. Point Break’s genre mix of bank robbery and surfing makes it obvious that Bigelow has a desire to consistently approach and push cinematic boundaries. Her marriage to big time director James Cameron could have provided Bigelow with a stepping stone into the industries top elite. Bigelow first entered the cinema by way of the art world. Her flair for traditional masculine genres in respect to Point Break is exampled by her previous works such as Blue Steel (1990) and art house film The Loveless (1981). Both films clearly represent Bigelow’s style of masculinity action mixed with art house cinema. Bigelow is essentially an important contemporary auteur. In conclusion, methodologies are vital when examining film. Throughout this essay we have analyzed the action genre, a consideration of art cinema and an auteur study. All these methodologies are recognized in Kathryn Bigelow’s Point Break (1991). By concluding with these studies we have deduced that different aspects and methods of cinema analysis provide critics and audiences with various approaches when establishing genre and film. References Allon, Y. Patterson, H. Cullen, D. Contemporary North American Film Directors: A Wallflower Critical Guide. n/a. Published: Wallflower Press n/a. 2003. {http://qqq. cercles. com/review/r11/jermyn. html} n/a {http://movies. yahoo. com/movie/contributor/1800091098/bio} A Strange Gaze. {http://www. popmatters. com/pm/books/reviews/39697/cinema-of-kathryn-bigelow/} 5. 10. 07

Event Planning Essay

The chapter 3 of Allen`s Chapter talk about the communication objectives and targeting issues. As the starting point of event planning, the second step is setting communication objectives based on situation analysis and fit with corporate and market objectives. While setting a communication objective, planner could use some tools such as gap analysis and Ansoff matrix within the SMART rules; meanwhile, the objective should follow the communication theory. After that, planner should try to determine and describe target audiences in order to segment these targets. At last, the author segments the target in different lights: individual and decision-making unit, reference groups and opinion leaders etc. Therefore the event planner should take the most appropriate method, media and message to communicate with each group. In the event planning, the author provides some method to manage the information and timing. The author emphasize the important of task controlling—critical path, and provide two tools for event managing—function sheets and contact sheets. As the event planning is a time & detail sensitive matter, it is better to summarize and map the whole path through charting. Experience application When I worked in BBDO china, I have participated in the launch event of MINI JOHN COOPER WORKS (JCW). As the most performance in MINI vehicle family, MINI wishes to promote the JOHN COOPER WORKS as the highest class which is similar as BMW M1, which could fill in the gap of marketplace for MINI; meanwhile, because the stereotype to MINI`s driver (MINI always be regard as a female car in china), MINI hope to extend the target market to male group. Therefore, the corporate objective of MINI JCW is to fill in the gap of high class level; the market objective is â€Å"high class, high price, high performance† with extending the potential target consumer. For the communication objective, BBDO use research tools to check with the existing product, which shows that other series of MINI are always describe as smart, innovation, graceful and fancy, which have less relevant with the â€Å"masculine  image†; At the market place aspect, over 60% of drivers are female, that is to say, there are a large group of potential consumer—male group. Belonging to the higher class objective, the agency of MINI china, BBDO, decided to set the communication objective: combine the high performance feature with masculine image; make the MINI JCW as a strong and muscle car. As the highest performance car of the vehicle world is racing car, BBDO develop the theme of the communication: â€Å"Racing is in our blood.† Unlike the traditional promotion, BBDO took the inviting test driving as the main program of the launch event, and held it in the Shanghai Racing field; besides, MINI promote in multimedia: guerilla, OOH, advertorial, and on line teaser, which also emphasis this theme.